Moallem (God Body Disconnect) and Boström (Cities Last Broadcast/Kammarheit) are both masters of their craft, and this album lends evidence to their finesse with formulating subtle atmospheres of sonic ambiguity.
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Inspired distorted drones and amorphous rhythms pulse in much the same way as the slimed and effluvial striations along the corridors of this hellish cave wherein we traverse, these melodies are organic, but they are also manufactured, the copper-tinged electronic taste of wiring stinging the peripheral of the mind’s palate.
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…an excellent showcase of talent in the Cryo Chamber roster, and as mentioned above, the eight artists on this collaboration are known for their penchant with weaving analog and synthetic textures with a decided retro aesthetic.
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The music of Dahlia's Tear is as insightful as it is masterful, and Tales from a Feeble Dream is just as one would expect from such a talented composer; a rich exploration of melancholic sound and atmosphere.
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This album contains the filtered, slow resonance of the universe all throughout, with doldrum pads and airy stabs of synths that help the mind drift along the currents of nebulae; Delicate oscillations trickle through the low rumblings like telemetry data proceeding through the vacuum of space, with heavy sub bass rising and falling intermittently to help create the sense of cosmic scale that we lack through our limited human perspective.
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[Keosz] soundtrack work in Neven is nothing short of inspired genius, and his style of subtle drones and intermittent piano motif as a focal point works immaculately with the movie…
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Ruptured World delivers a thoughtful and imaginative ambient adventure, similar in some regards to other offerings on the Cryo Chamber label, yet wholly unique and stylized that make Alistair Rennie one of the best visionaries of the genre.
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The Lovecraft compilations have become… a showcase of individual talent from the various artists associated with the label, while also being exemplary pieces of collaboration, weaving the delicate nuance of each musical vision into one longform narrative.
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…a collaboration between Dronny Darko and Ugasanie. Dronny Darko’s genius sound design is coupled with the ice cold proclivities of Ugasanie to deliver a frozen narrative of Lovecraftian and existential sci-fi adventure.
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…his use of analog synths coupled with his style of presentation help this album create a serene fresco of slow-moving ambience, painting vistas of stars and nebulae, of silent planets in distant star systems, orbiting in celestial solitude. Musically, this album has a very cinematic feel, but more as a background piece, reminiscent of a late 1970s to early 1980s sci-fi film.
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…six tracks of perfect narrative sound design and soundscapes - ultimately this album accomplishes exactly what was intended: a sci-fi epic that can only be realized through the imaginations of the listener and Soludenia has excelled in that.
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Randal Collier-Ford is back with a collection of remastered ambience celebrating ten years in the cinematic soundscapes. These assembled tracks have been curated by the composer himself and presented in full ephemeral radiance, showcasing Ford’s artistry and the evolution of his style and thought processes.
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“The sounds and canvas used in this album are unique, and almost “feverish” would be a term I would use to describe them, the tremulous miasma of an almost fever dream state, with dynamic use of sounds and techniques, and the distinct nature of this palette of sounds make Watchtower stand out among its peers…”
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As Spiral of Grief opens, we are greeted by our narrator friend, the same way as the albums previous, and we then we are carried away by the sounds of the standard God Body Disconnect “wall of ambience” of which composer Bruce Moallem is known.
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Longtime Cryo Chamber contributor and artist Alphaxone returns with The Infinite Void, a layered, languorous trip through the depths of space.
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Induction is a tempered, well-crafted concept of mood and ephemera coalesced into an aural soundscape.
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All Roads Lead Home is the final testament of Cesare, a final embrace of his stylized warmth that is seemingly inimitable… Soft textures of laconic drones caress your mind, with dreamy synth and pluck atmospheres interspersing among the drone patterns.
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Usually… we, the listeners, are treated to sinister drones and barely audible stabs and percussions… Crypthios refreshingly changes this paradigm with Vestigium, and rather than bestowing us with tenebrous wind and descanted, reverbed field recordings, we are treated with gentle, meandering pads and more introspective, organic notes.
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The industrial elements are nearly ever-present within the confines of the music, which is to be expected considering the persons involved, but the rhythms are subdued and carefully guided, never allowing the atmosphere to be broken. In all, this is an excellent, atmospheric sci-fi journey
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Six demigods of old are represented in this collection, with some familiar names, and some unknown, but the names of the composers on this album should not be unfamiliar, and for those who may be new to the dark ambient scene, or who have not heard the artists involved in this collection, this is definitely an excellent starting point.
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