he Room forces the couple, and the viewer, to look into the mirror and ask yourself what is truly important? The danger of being gifted everything you want is losing sight of what you need.
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If you want to be thrilled and delighted from the opening screen to the end of the credits, you need to run- nay, FLY to your nearest On-Demand provider and watch Two Heads Creek.
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The FX in this thing were fun; what one would expect from indie cinema - competent, fun, and even clever at times, and the various uses of lighting in the last act of the film were memorable.
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The Beach House … is a film that gives us not only a mysterious, ephemeral thriller, but also aquatic horror, and manages to be a claustrophobic, tension exercise, despite taking place at an oceanfront beach house.
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In the words of directors Cary Munion and Jonathan Milott (who have tackled two prior feature films together: Bushwick and Cooties) Becky is “an ultra-violent Home Alone”. My first notion would be to roll my eyes at this description. I often find works that attempt to “up the ante” or “do it better” than their inspirations come up short. So is that the case here?
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